Grammy-winning artist Lizzo recently gave an in-depth interview to Vanity Fair, discussing the complexities of her crossover success in the pop music world. Despite her widespread appeal, Lizzo stresses that her music remains deeply rooted in the Black experience.

Hits like “Good As Hell” and “About Damn Time” have propelled her into mainstream pop stardom, but Lizzo insists her core audience is Black women. She describes her songs as personal expressions, meant to heal from struggles like bullying and feeling undervalued.

“We need self-love and self-love anthems more than anybody,” Lizzo said, emphasizing that she doesn’t create music to cater to a particular demographic. Instead, she embraces her identity and artistry as a Black woman.

The interview also delves into broader social issues Lizzo engages with, including race, privilege, and activism. She reflected on the backlash she faced for playing James Madison’s crystal flute, highlighting the ongoing challenges Black women encounter in America.

Lizzo expressed frustration with both historical and ongoing injustices, calling for accountability from those in positions of power as a pathway to hope and change. Her activism goes beyond music.

After the overturn of Roe v. Wade, Lizzo donated $500,000 to reproductive rights groups, with her tour promoter matching her donation. She connected the ruling to systemic white male dominance and called out complicity across society.

Lizzo’s bold activism, combined with her artistic success and candid honesty, has positioned her as a powerful cultural voice unafraid to confront societal norms. She celebrates identity and empowerment through her work.

Her story shows the vital role artists can play in shaping conversations around race, justice, and self-love in today’s America.