Actor Patrick Adiarte, best known for his recurring role on the first season of the classic television sitcom M*A*S*H, passed away Tuesday at the age of 82. His death marks the loss of a performer who brought quiet depth and cultural representation to one of the most beloved series in television history.

Adiarte portrayed Ho-Jon, the young Korean houseboy who became a familiar face to audiences during the early episodes of M*A*S*H. The character often provided both humor and heart, highlighting the human side of war through his interactions with the doctors and nurses of the 4077th Mobile Army Surgical Hospital. Though his time on the series was limited to its first season, Ho-Jon left a memorable impression on viewers and fans of the long-running show.

Born in Manila, Philippines, Adiarte immigrated to the United States and found his way into Hollywood during an era when Asian actors often struggled to find meaningful roles. His portrayal of Ho-Jon came at a time when representation on American television was scarce, and many later praised his work for humanizing a character who might otherwise have been overlooked or stereotyped.

In addition to his work on M*A*S*H, Adiarte enjoyed a career on stage and screen. He appeared in the Broadway and film versions of The King and I, where he played Prince Chulalongkorn, and he also performed in Flower Drum Song, another Rodgers and Hammerstein musical that featured a predominantly Asian cast. These roles reflected his range as a performer and his contributions to expanding opportunities for Asian American actors.

Although he eventually stepped away from acting, Adiarte’s work has continued to resonate with audiences. In later years, M*A*S*H fans often recalled Ho-Jon as one of the most authentic portrayals of a local civilian caught up in the realities of war. His early performances remain a testament to his quiet charisma and talent.

Patrick Adiarte’s passing is being mourned by fans of both television and musical theater. His career may not have been long in Hollywood terms, but the impact of his roles—particularly in M*A*S*H and classic stage productions—endures. He is remembered not only for his performances but also for paving the way toward greater representation on screen.